I can’t listen to the Scratch DJ Academy LPs anymore. The bass and snare on that LP

is draining out my brain. Oh someone please help me.


Another A-Trak Monkeyboy Breaks Vinyl at Fat Beats + #5 DJ Lesson


Now I can finally try beat matching with these two vinyl. We learned how to beat

match two different songs. The first step is to know the BPM of the two songs you are

trying to mix. If the leading record is about 90 BPM and the following record is about

87 BPM, you know you have to increase the pitch of the following turntable. Now that

you know which one to increase, put your body in motion with the leading record

beats. This lets your body count while your mind is listening to the

following record to beat match. Once you think you got the beats matching pretty

well, drop it on the one again and repeat beat matching for fine tuning. Laura at

Scratch Academy told me, she does it 5 times.


It took me 4 tries to get the second A-Trak Monkeyboy Breaks. On Friday, the dude

in front of me took the last copy, but another shipment was suppose to come on

Monday. I went there on Monday, but at 6 PM. I went there at 6PM and he told me

he needed to organize the vinyl to sell. So I came back at 7:30 PM, on finally got my

second A-Trak Monkeyboy Breaks. What a journey…


Fat Beats is a hip-hop orientated record store, with weekly live DJ spins. On Monday,

DJ Spinna was spinning. I don’t know him much, but HE WAS ILL. A true

master at work.

djspinnaI hope one day I’ll be spinning in front of a live audience.


DJ Lesson at Scratch Academy by our very own Djay Jung $50/$60.08

26.x600.music.scratch.2Up to now, we have been learning basic scratches. Baby, scribble, and release were

the only scratches we learned so far. Scratching with just those three got pretty

boring after 3 weeks. That’s when we learned the first two basic step in mixing,

dropping it on the one, and push/pull for adjustment.

Today is the day we learned the final step of mixing. Adjusting pitch is the last stage

when it comes to mixing.   Our exercise first included turning on a beat at high

pitch. We would turn our second beat pitched at neutral. While the leading vinyl is

playing, drop it on the one. When the beats are separating, push the following vinyl.

After you push your vinyl, increase the pitch by half a percent.  Repeat this action

until you no longer need to adjust the pitch control.

%You will be using same two vinyl, and beat for this exercise (this is going to take

a lot of practice for two different beats)

We also learned a new scratch technique called the Chirp Scratch. The Chirp Scratch

was invented by DJ Jazzy Jeff. The name originates from the sound it produces,

small bird sounds. The motion of the vinyl is the same as the other scratches we

learned so far. Forward with the beat, and recoil during the off beat. But this

scratching technique requires the coordination of the CROSS-FADER. Set your fader

in the middle, and close it as your move the vinyl forward.

You can reverse the movement of the fader and create a Chop Scratch. Vinyl

movement still goes forward with the beat. But the fader starts closed. Open the

fader when you are in forward motion with the vinyl.

%Mixing two beats with the basic scratches got boring pretty early on. Djay Jung

showed us a quick demonstration on how to mix using the chirp scratch. I must

say, I won’t get bored now with the New Technique in hand.

%%The female instructor at our place is so professional. She seems to know exactly

where we are coming from. She gave us a great hint. When scratching or mixing,

the bass is not a big concern to us. Scratching and mixing requires us to listen to

the most crisp sound. For example, snare and hi-hat sounds on a beat. Lowering

the Low EQ and increasing the Hi and Mid EQ will generate a crisp scratch sound

and cleaner snare sound for us to mix. SCRATCH!